here would be the two songs for this act:
here would be the two songs for this act:
As a belated birthday present we took my sister to see Enchanted yesterday.
I went in expecting it to be funny. But I didn't expect to enjoy myself so very much. I thought the movie was fantastic. It did a great job respecting the original intent of the musical/fairy tales it parodied, even while correcting where they often fell short. At some points, I was shocked that they would say/do a couple things in a Disney movie, but it was shocked in a good way. It was an excellent movie for older kids and adults alike. I would definitely own it on DVD and I would love listening to its soundtrack while cleaning.
As a belated birthday present we took my sister to see Enchanted yesterday.
I went in expecting it to be funny. But I didn't expect to enjoy myself so very much. I thought the movie was fantastic. It did a great job respecting the original intent of the musical/fairy tales it parodied, even while correcting where they often fell short. At some points, I was shocked that they would say/do a couple things in a Disney movie, but it was shocked in a good way. It was an excellent movie for older kids and adults alike. I would definitely own it on DVD and I would love listening to its soundtrack while cleaning.
Yesterday evening, Rain brought myself, Tabby, and Mrs. Meyers’ mom to see the musical Evita! It was a great deal of fun getting ready for the event. I like dressing up and trying to look pretty. I have a pantsuit that I like quite a bit and paired it with a glittery top that has gold in it but I tried not to hold that against it. Unfortunately, because of the top choice, I couldn’t wear my favorite black and white pumps. But it did give me the opportunity to wear some BDSM inspired boots. Added some bling. Haha, yeah, cannot believe I typed that either. Because of the top I wore, I couldn’t wear some of my wonderful necklaces but I think my ability to wear seven earrings helped make up for it. I also got to do a five-strand braid with the tail made into a knot at my nape. Then got to play with some make-up…. Alright went a little too long on about my look but now I’m about to go on about Mrs. Meyers’s mom.
L looked fabulous. Mrs. Meyers cut her mom’s hair the day before and I love it! I was a little bit jealous of it too. It was only yesterday that I got the wild urge to cut my hair down to a longer bob. Not that I’m upset with my long hair. I love to braid it and it’s fabulous. But I do miss having a cut little bob that does that bouncy thing when I shake my head. It was nice being able to work on L’s new do. It was also fun being able to play with her make-up. She was also the only one of us to wear a dress. So woohoo.
Rain and Tabby looked fabulous too, of course. But I think going on with the shot by shot of our getting-ready process is boring and I’m sure everyone has forgotten the first sentence of this post already.
Btw, it was: Yesterday evening, Rain brought myself, Tabby, and Mrs. Meyers’ mom to see the musical Evita!
Now, I must tell you how much I love Evita. A lot. I love it a lot. Ever since I saw it as a 10 year old girl, I’ve just loved everything about this movie. The music! The lyrics! The cinematography! The dancing! Antonio Banderas! Ooh, I just love it all. I soon had the entire soundtrack (which is pretty much the entire movie) on tape and listened to it constantly. Then I got it on CD and DVD. I know the entire movie by heart. Random Irony: Don’t Cry for Me Argentina is probably one of my least favorite songs from the entire movie and seeing it on stage has made that even truer.
So Rain and I were looking through the city’s list of theatrical offerings and she came across Evita. I might’ve squeed a little. I’m not sure because I think my mind went black at the mention. I just shut down. Yes, I have loved Evita that much and for that long.
I’ve seen the Broadway show on TV and the internet a couple times. Not the entirety. Just little snippets here and there. Strangely, I wasn’t impressed. I understand that what makes a movie so special might not be there on stage. And visa-versa. But was I going to turn down an opportunity to see the show? Hell no! And Rain is just the most amazingest person in my life ever and this just proves it again. I love you, Rain. I really do. Not just for the Evita thing, but god it helps!
When we got there, I started to actually wrap my head around the fact that I was going to see Evita in a new way but still based in what I loved. I was just so excited by the idea of that! By the time that BMW or Lexus woman was on the stage (announcing how BMW or Lexus or some other richie rich car company cared about the community and was sponsoring this show to the richie rich part of the community), I didn’t hear a word she said. Thank god, I’m not their market audience anyways.
Then the show began! I might’ve cried a little bit. I really had to fight hard to keep those tears back. Not only because it’d be embarrassing but it’d be really hard to watch the show while crying! My first thought was: This is THEBESTESTTHINGEVER!!!!! Yes, with five exclamation marks. The singing! Damn, this was how chorus members were supposed to sound! The music made my skin shiver and the lyrics (even in Spanish.) were just as strong. Che was great. He was a strong presence who did a good job filling Antonio’s boots without just copying his performance.
I wasn’t impressed with Evita’s first appearance but I was open to be proved wrong. I was never proved absolutely wrong but I did come out thinking she wasn’t too bad. They did a very good job at getting the story started and capturing a lot of the things that I didn’t think they’d be able to get across on the stage just because of the restrictions inherent in the medium. The dancing was really very good. The lighting was great and powerful though anyone with any type of seizure disorder wouldn’t have been able to enjoy it.
Rain said she had some difficulty understanding what was being said. I was struck by how much the actors were pronouncing all the words. They seemed to be dotting all their I’s and crossing all their t’s. Of course, a lot of it was being sung so I’m sure it was more difficult because of that. Also, Rain has never seen the movie and I know it by heart. Even then, there were some times where I had trouble understanding what they were saying. Of course those were in the scenes or songs that weren’t in the movie. It seemed to be when the singer didn’t pace him/herself properly and didn’t have the right amount of breath or at the end, where they were obviously starting to get a little tired.
There was one new scene in particular that couldn’t have been used in the movie because it’s so classic theatre but it was just great. It involved Peron and other political figures playing musical chairs in rocking chairs. I really loved this. It had humor and got across perfectly what it was meant to (the scramble for the top chair by a group of individuals whose alliances changed moment to moment) even while doing something that would never be accepted in movies but was fabulous on stage. I could watch this scene again and again. Maybe because it was one of my favorite little lines from the movie that was an entire song.
“One always picks
The easy fight.
One praises fools,
One mother’s light.
One shifts
Left to Right.
Politics
The Art
Of the Possible!”
Yes, I did just type that up from memory. Because I love it that much.
Soon upon this giddiness of new interpretation was the scene of Evita meeting Peron. At first, I was unimpressed. I thought it was a rather important scene because these are the major players of the entire story. But they seemed to just have Evita standing next to Peron and Peron standing next to Evita. Singing. However, it redeemed itself towards the end. It had Peron walking away from Evita and continuing to shmooze while watching her out of the corner of his eye. One of his top soldier guys walks past her, obviously interested. She ignores him. That’s when Peron comes back and is serious about her “preposition.” Obviously, he was testing her to make sure she didn’t jump just any man in a high ranking uniform. That had its own charm and I really appreciated it.
Another thing I found pretty amusing about this scene was that it started in the scene that in the movie had Peron throwing a fundraising event for the victims of an earthquake. There was a shot in the movie that had him at the mic and he’s preaching about having “The People” finally running the government. It was supposed to be ironic since he’s preaching to the very rich people of Argentina. People already running things, obviously. And at this point in the show, I was just smirking to myself since I was sitting in a version of that audience right then. And the main character of this movie is screeching out “Screw the middle class! I will never accept them!” Meanwhile, a very great deal of this audience for the show was solidly middleclass. For god’s sake, a woman from BMW or whatever introduced this movie! It was very amusing to me to be sitting in that audience for that play at those times. It’s still hilarious.
I loved the chorus throughout this entire show. They did a great job with getting across the feeling of being a larger group. The movie showed huge overshots of hundreds of people in one place. This small chorus was able to get that across very well. I did enjoy little things like the mistress Evita throws out of Peron’s bed soon after their meeting. They had this mistress singing the song “What happens now?” which in the movie was mostly Evita’s song. But really the lyrics of this song was much more suited to the woman who is more beaten down by the world and not aiming too high.
“I don’t expect
my love affairs
To last
For long.
Never fool myself
That my dreams
Can come true.
Being used to trouble
I anticipate it.
But all the same
I hate it.
Wouldn’t you?”
Yes, by having that pushed-aside mistress singing this instead of Evita, it showed the difference between the women who often lined these men’s bed and Evita, who made something of it.
I also really liked how this show did a better job at illustrating Evita being so popular because she represented what the workingman/woman dreamed of making themselves. For example, Peron and the men working for him took off their jackets, rolled up their sleeves, and said they were ordinary men. Meanwhile, Evita came up to the mic with a full ballgown and jeweled choker. Both represented what the commonman/woman saw in this power couple. I remember during a scene where Che is singing about Evita being High, Flying, Adored. There was a little extra (could it have been the same actress playing the mistress?) who had helped Evita out of her ballgown. While Che and Evita sang, the little extra hugged that ballgown to herself and was obviously dreaming about wearing it herself, about being the woman on that podium, about being Evita. That was a great little moment. This show did a very good job at incorporating the feel of Argentina political turmoil throughout the whole thing. I loved how they often showed real photographs above the scene. However, the last half of the show felt a bit sloppy. Like it was unsure how to wrap things up.
The movie did a good job because they really linked the beginning of the show (big funeral scene) with the end. Classic story arc and it worked really well in the movie. I think they probably should’ve done that here. Evita’s illness and decline made me more uncomfortable than sympathetic or particularly moved. She was hunched over and moved like an old woman. I suppose they felt this was the only way to get across the extent of Evita’s illness. But it pretty much just made the actress look like she pulled a muscle or was constipated. In fact, at the end of a scene with Che where she stumbles away and is supposed to fall while the stage goes to black, her shoes must have squeeked on themselves or something. It sounded like a fart and right on that constipated stomach hold, made me roll my eyes. I think the extent of her illness could’ve been better portrayed with far less. Considering the exuberance and high-power that Evita ran across the stage (and life) with, she could’ve gotten across the same thing with just the absence of that spirit. I suppose, I could’ve enjoyed the second half more with a different actress.
Sadly, I really was mentally urging Evita to die sooner to put the actress out of her misery. Again, the chorus and Che was great. But in this instant they were great despite the mess going on onstage. Peron was pretty good. Definitely played second fiddle to Evita and Che but he as a character was really supposed to do that. He seemed to have a little bit of a darker edge to him and I liked it. At one point, he was somewhat flirtatious with one of the women on his lap (that were supposed to be young, perhaps early teen?). Usually, for me darker is better and I think that helped his character stand out at certain moments.
In the end, I think the show went too far trying to get across the history and not enough taking into account the format of the story. At the end, Rain turned to me and asked, “Was that the end?” The fact that she had to ask that at all (and I took a moment to be certain for myself) says a great deal.
It was really a very good show that made a great movie and would perhaps make a great show on the right nights with the right actors. Am I happy that I saw it? Most certainly. Otherwise, I wouldn’t write up such a long review of what I thought about it. I want to preserve the memory of the entire experience. That’s what really made this show great to me; the entirety of the experience. Alone, it was probably a very good show that did a great job at using new ideas and perspectives on the stage even while falling to some very old and familiar pitfalls.
I really loved going to see this show and would definitely be up for seeing it again. Of course, I still look forward to watching the movie with Rain so that she can have the chance to see it a little bit like I do. Thank you, Rain, for bringing me to see a new take on one of my all-time favorites!
]]>My absolutely favorite episode of Xena: Warrior Princess. I also think it's the best done musical episode I've ever seen on a television show. It's rather well explained why, the lyrics are excellent, the imagery (based off classic Tarot cards) is amazing. The late Kevin Smith (who plays Ares) has an absolutely amazing voice. Lucy Lawless (Xena) is known for her great voice as well. Rene O'Connor (Gabrielle) does not sing, but they found someone with a voice that fits very well with her so it's easy to believe it is her. And of course, you've gotta love Callisto (Hudson Leick). Up until now, there's only been a couple scenes of it up on YouTube, but some blessed soul put up the whole episode. So, here it is:
Ares: "Nothing more need be said . . . Ding dong, the bitch is dead."